this is the full version of amusement heaven with vocals.
the instrumental doesn't change, but the vocal in verse1 had some more processing done, as well as every other vocal.
lyrics made almost entirely by me. Verse2 was modified by me in some parts as well as the second part of the chorus.
if you want, you can listen to it or skyp as you see fit. And if you expected the vocals from every other part to sound as good as the one in verse1, let me disappoint you, they don't as much, but I tried to make them blend the most into the mix. Sometiems I have to alternate between enhanced and original, and one has to come up with enough ways to blend in the enhanced with the original together.
lyrics
may be goofy. Or not. I don't mind.
[intro]
I find myself calling her in times when I need,
a shoulder to cry and a hear to listen,
going to her house I enjoy being there indeed,
she always makes me feel like a happy kitten
[Verse 1]
good fun I start having with my bestie,
goofing around out of my comfort zone.
I make her laugh, I make her happy,
she's my friend for life and my home away from home.
[pre chorus]
I find myself calling her in times when I need,
a shoulder to cry and a hear to listen,
going to her house I enjoy being there indeed,
she always makes me feel like a happy kitten
[chorus]
lights brightening, air intensifying, carousel spinnin',
we all chillin', vibin', having fun,
leaping over the row just to get into the run,
and laughing, kackling, chuckling over a funny pun.
this is our amusement heaven,
where the music plays and nothing weighs a ton.
we’re riding dreams our hearts pumpin'
two hearts in sync wild and free.
[Verse 2]
we trade secrets in line for the ferris wheel,
she tells me stories that don’t even feel real.
our laughter's heard through the carousel lights,
spinning through memories rewriting our lives.
[pre chorus]
I find myself calling her in times when I need,
a shoulder to cry and a hear to listen,
going to her house I enjoy being there indeed,
she always makes me feel like a happy kitten
[chorus]
lights brightening, air intensifying, carousel spinnin',
we all chillin', vibin', having fun,
leaping over the row just to get into the run,
and laughing, kackling, chuckling over a funny pun.
this is our amusement heaven,
where the music plays and nothing weighs a ton.
we’re riding dreams our hearts pumpin'
two hearts in sync wild and free.
There's a part of the lyrics in the chorus resembling rick astley's never gonna give you up. The robotic vocal at teh start warns that you might encounter it. It's specifically in the chorus and I could have chosen something better, but I decided to go with this because I was short on rhymes.
the very few listeners who have listened to kalimrek might recognize the instrumental of this song. Except it has had quite a few changes. first, teh bass and teh drums have changed. Second, the sawtooth synth with vibrato and stuff like that is way lower in volume, and the pad is now sidechained (ducked)
the lyrics of teh song might be potentially divisive or controversial, even a debate at most.
To be short, basically the story follows a former couple that became casual friends after recovering from a mutual amicable breakup between them, and then the young man starts dating her best friend, annabelle.
note: the lyrics have scene descriptions because I had the streak at that moment, and decided. This is too dull. Let's just imagine some scene descriptions and add them in, so that people can imagine how the music video might be like (for those interested in how would it look like)
as with any of my songs you can do whatever you want with them, provided you change them so as not to be duplicates when uploaded.
all the scene descriptions for each verse and part of teh song are in teh comments if anyone's curious. I'm providing the lyrics here as descriptions have a character limit.
might have cringey wording
[intro]
and I see,
and I see you in the bench we used.
For those moments,
for those moments were the best that we've ever had.
[verse1]
I see you have a new girl,
don't worry, I'm not jealous at all,
cuz I've moved on from you,
no grudges, no vudges no emotional downfall.
[pre chorus]
found my bestie was dating you,
I just told her, go for it!
I tell you she really likes blue,
don't disappoint her, at least spoil her a little bit.
[chorus]
and I see,
and I see you in the bench we used.
For those moments,
for those moments were the best that we've ever had.
treat her well, never make her cry.
treat her well, never make her lie.
treat her well
you'll get treated well,
if she ever oversteps do tell.
and he messages me.
[verse2]
don't worry, I will treat her well.
I learned from my previous mistakes.
I've fallen in love with annabelle.
and I will hug her when she wakes.
perhaps I might have found the one,
but I don't know, as I prefer no certainty.
If she ever prefers to be with you.
[chorus]
and I see,
and I see you in the bench we used.
For those moments,
for those moments were the best that we've ever had.
treat her well, never make her cry.
treat her well, never make her lie.
treat her well, you'll get treated well,
if she ever oversteps do tell.
[bridge]
[final chorus]
and I see,
and I see you in the bench we used.
For those moments,
for those moments were the best that we've ever had.
treat her well, never make her cry.
treat her well, never make her lie.
treat her well
you'll get treated well,
if she ever oversteps do tell.
and he messages me.
hello
this i just a glimpse, not all that impressive, but you might notice the vocals sound different than in the songs where I used vocals before. the lyrics are created by me, still cringey as a fact, and this is how the vocal sounds like with the original instrumental, completely dry, doesn't have any reverb.
but sometimes tools can ommit certain parts and that's where editing comes in and copying and pasting from the original. the acapella itself was imported from an extension, enhanced, and with the audio it whent through 3 stages. Limiting, EQ and copy pasting, with the last one involving carefully pasting from the original extension vocals. Think this will be the way things are going to be done from now on.
this is the lyrics of the first verse if anyone's wondering. I might have to work tomorrow. I'm not uploading this for views, but if you want you can listen to it, or skyp as you see fit.
Thank you
apologies for reuploading, but the original was a little too loud, even though I reduced the volume and applied the limiter, but perhaps I didn't apply it well. Well, here's a less louder version.
I ope this is the only time I'm careless enough for this to be my doing
retro world has some files for some sort of military march level. I could have installed bgt and compiled the original with creator or whatever it's called, but I decided not to cuz Ijust wanted the sounds, and I won't wait 5 hours to download it another time.
So here's an attempt at me guessing what to do with each sound.
there are 4 or so actions
march: space
move left and move right, left and right arrows
halt, enter
and this one where it says attention in ja slow mode you change beat, space bar as well
that's how I kinda imagine it.
Enjoy, or not. Mwahahaha
the music used here belongs to the original creators
bpm: around 83 (166) 6/8 time signature approx, key of c minor
instruments: bass, drums, synthetic guitar, synth keys, a synth with a wa wa at the beginning and a strings synth. Oh, and a lead synth
made in: reaper, 2022, refined in audacity as a whole in 2025 to remove any perceived mistakes made in production at the time. At the time, I made music in reaper I didn't have a midi keyboard, so I did with what i had at the moment.
Basically harming the track and recording each instrument, didn't do any edits back then, not even in audacity (amusement heaven was an exception) as the original drum track was too flawed for its own good. So I copied the best parts of each drum section and did what needed to be done, same with the bass and lead synth. In 2025, I refined every other part of the song
Thanks to my brother, who helped recover the laptop I used to use before my school laptop, I can upload this to audiopub. These songs would have been lost forever if it weren't for him fixing the battery which, apparently, was the culprit, as well as give it a new charger.
hope you enjoy.
without the vocals made much later this is literally the first song I made in audacity. The first song I uploaded to audiopub was not the first song I made, in fact. Without the vocals because the vocals on it don't sound right.
bpm: 100
key: switches between c minor and g minor
the genre is the same as the solundra2 one, has similar instruments; plucks, the signature drums and bass from solundra 2, and the polyrhythms similarly as solundra2
trivia: one of the samples, particularly one of the plucks in the chorus, was also reused and sampled in high school festival. the bass in that song was also sampled from solundra originally, as they had a similar melody, except that high school festival's melody was higher in pitch and longer
bonus trivia, for solundra2: one of solundra2's drum loops was used in high school festival as well. Both solundra and solundra2 use similar-sounding drums, plucks and synthesizers, namely the sawtooth ones
instrumental made with
sitar (ladspa plugin, found in a plugin suite, as far as I know no longer works in 64bit builds, but I managed to make a few more samples of it, combined with ambience to form the drums)
risset drum or sin drum, sin rum was also a ladspa plugin, but I don't know whether I used sin drum or risset drum to make the bass drum of this thing
pwm (for synthesizers)
pluck, normal one, used for the plucks. The ones in stereo were done by dividing a track into stereo (usually your 2 tracks will be all selected) then one goes into generate menu, pluck, then pressing enter on that one chooses a note, pressing enter, and you have your own stereo pluck
tuning fork. Tuning fork was used for the bass, distorted a lot of times to make the signature bass sound
for making music efficiently, one of the secrets is having shortcuts mapped out to the "instruments" namely, the pluck, the pwm, the tuning fork, and so forth, but you must have samples in hand. guitar samples, drums, some others as you see fit. Pianos, whatever you desire.
and of course, the classic metronome track you must have at all times as the first track.
to esumee things, making music on it is like audio editing, except you have to go slowly about it and decide pitches, bpm, melodies and whatnot.
It sounds a bit awful because the drums were exported to ogg multiple times because I commonly don't use wav, as I don't have a computer with enough space, and it was maltreated over the months with lots of compression, llimiter, compression, limiter, EQ, and repeat, so there's that. Those were my early mistakes of making music with audacity
enjoy, or skyp, as you see fit.
greetings. Bringing another song, just the instrumental for now as I don't have vocals yet.
just 4 instruments this time, very minimalist. Bass, drums, guitar and piano. For the guitar's modulated reverb I had oril river put into it.
perhaps it might be some sort of rap or pop or hip hop, but I don't know how to classify it, so there's that. The song is about 75bpm
don't know why I named it doomsday, names just come at me like that sometimes.
Hope you enjoy.
michaelOs tts... Well, this is a proof concept. This was created with the help of my voice and earcons and speech rules.
the only caveat here and huge drawback is hat to make it pronounce things in english, you cannot do it normally. What you can do is instead is write it phoneticaly to be read phonetically and pronounced like so by the synthesizer. As this is a proof of concept, it only can speak spanish, and even then, there are things to be changed when wanting to pronounce it correctly.
the speech might be unintelligible
For example, que and qui. those would be pronounced "kay" and "kee" but if you input them like they are, they will be pronunced something like "que and qui" if you have an english speech synthesizer then you'll notice how they would be pronounced. Same happens with gue and gui, those special combinations of letters which change the pronounciation of the g
same happens with c, this is why you'll not hear the synthesizer proof of concept pronouncing audacity as ah oo dah see tee but instead will hear it pronouncing it like a oo dah kee tee, so there's that.
There's another drawback, and it's that it sometimes won't shut up with control. That's a problem, yes it is, but this applies only to certain situations.
and here are the steps on making it
1: create a portable copy of nvda with earcons and speech rules. If you have it already, you an create a portable copy from your current nvda installation with earcons and speech rules.
2: record your voice. At least 26 clips for each letter and vowel, from a to z. A, e, i, o and u should be pronounced similar to ah, a, ee, o and oo. The other letters can be pronounced phonetically like how you'd normally pronounce them
I haven't yet discovered a way to make numbers unless I prerecorded my own and made those, so for now, that's how it might be
3: make a new folder inside user config\addons\phoneticPunctuation\sounds\. It should be named character. In here, export all the audio files you created of your prerecorded voice uttering the vowels and characters, each one with the letter's name.
Make sure to edit and cut. If you've recorded a whole audio of you uttering them, from a to z, then you should cut and split into different tracks. Or you can go the longer route of making separate tracks. Or if you don't have something that allows for multitrack editing then you can record one, export, record another, export. It depends on your workflow and editor preference
4: once that is done...
replace letters
go to nvda settings, earcons and speech rules. In here, press on the button to add a rule. Your first letter will be an a. Put that into the pattern box, go to the category combo box, and press c to get to characters. Immediately press tab to head yourself to the next combo box to select the wav file, and select the file of yourself uttering the vowel a
do this with the subsequent letters replacing as you go patterns with the audio, til you get to z. From there, go back to a, but this time, caps. To z again
5: extras
you can also make a silence track, export that, and use that as punctuation. In my case I just manually inserted silences
this is a very, very rudimentary of doign this sutff. If you want higher quality, you could likely make a long audio of your voice and somehow make a piper tts version of your voice, of which you're left on your own because I've never done it, so yeah. i don't know any other alternatives, especially local ones. Local voice cloning likely requires a good gpu, the voice cloning thing could be done with rvc I believe, I don't exactly know, or eleven labs if you're into that and prefer online voice cloning.
greetings. Now I bring the source for this whole thing. Precisely the source of the pareidolic speech which sounds a bit like eSpeak if it was a human without that deepFilter thing. Her'es how it sounded before the denoising. Good thing I keep both files separate from each other, else I'd lose this and I honestly like it a lot so nope. It's basically eSpeak vocoded through a white noise which was processed through mda tracker with glide at 100, sine wave, stereo, then put into ambience, the "cave" ambience itself, then vocoded into some nonsensical marcov chain thing I put through eSpeak.
enjoy, and if it's not your thing, move on. Have a great day
greetings. Here we got a... I don't know... I guess it's a sort of pareidolia, except I do know how I created it. This would only work in 32bit versions f audacity, so I can't do more of them anymore but have another one of theese. Basically I otok an MDA tracker'd white noise, put the result through ambience's reverb, then I vocoded it o a nonsensical sample I made with eSpeak and finally used a few times openVino noise reduction, in this case deepFilterNet2, with some limiters and equalizers.
the result is... Sometimes it sounds like eSpeak as if it was a human, at least sometimes.
enjoy the madness. And you can leave a few laugh-worthy comments about how it sounds like to you. Feel free to skyp if this is not your thing, and have a great day.
greetings. Here I bring another song.
this song is basically the origin of the ghostghost one. In the days of tap reflector, I otok that ladspa plugin and lved to put my songs in reverse forward effect and listen to them like that. This is why one day I figured out it sounded good when I put a certain part of the song in reverse forward effect. That got pitched up. And now, I bring you the original
it's an experimental song. It has a bass, drums, 3 plucks with one deep one on the chorus (the melody was taken from an audio I made way back that for now I don't have cuz I removed it cuz it made too much space) and there are 2 synths, and a sample from the IPHone twinkle ringtone, which I figured out... Why not. It fits well, and my vocals
vocals
the vocals entirely created by me. Homemade, in my own room, with a headset. I put reverb and keroVee over them, but only a bit of keroVee. Reverb and delay i put
oh and i forgot... The extracted aI vocal. Well, that one was extracted from the bass. I decided to one day upload the thing to a vocal removing site which used demux for splitting, and upon extracting and saving the things, I was met with this bass whic had residue from the original song. Once I extracted the reidue I was met with the interesting texture it had, so to say, because it was like the AI had listened differently to the song.
that got put into the song as well.
enjoy, skyp, do what you do.
what I'm singing is pure nonsense, but according to me I'm saying the following, at least in large part. I had to listen to the song a lot of times to get all that lyrics imagined
intro
that is how a wind inside ya
give ya some peace, but sept that
is that so, except that?
there's a soul, I said to
there is a place in your
there is a place in your
tears are gone
stop playing no they are gone
that day oh
verse1
on my then vinge home
the best amour rushing to you
lead me through so you have time when mourning
let me soar te sky a good morning
pre-chorus
to my lila
fighting a mourning
know that year when under the sun,
enamoured of you so,
I married a soul.
All in all I'm telling I'm sorry.
chorus
that is how a wind inside ya
give ya some peace, but sept that
is that so, except that?
there's a soul, I said to
there is a place in your
there is a place in your
tears are gone
stop playing no they are gone
that day oh
verse2
you're in my song though there're maany of these
hole in my heart,
in my soul,
in my heart.
pre-chorus
to my lila
fighting a mourning
know that year when under the sun,
enamoured of you so,
I married a soul.
All in all I'm telling I'm sorry.
chorus
that is how a wind inside ya
give ya some peace, but sept that
is that so, except that?
there's a soul, I said to
there is a place in your
there is a place in your
tears are gone
stop playing no they are gone
that day oh
bridge
no machine knows how to love,
no machine knows how to lead,
I'll change my life,
then start in a new,
to see me love,
though darlin, I need you
final chorus
that is how a wind inside ya
give ya some peace, but sept that
is that so, except that?
there's a soul, I said to
there is a place in your
there is a place in your
tears are gone
stop playing no they are gone
that day oh
greetings
basically a song created with a loop I made a year back from an original song, with a reverse forward effect whch made the loop sound forrwards and backwards. It was a specific excerpt from an experimental song which had gibberish vocals, then things were arranged into it.
how were the vocals made
2 of these vocals were made with suno. The third is mine but pitched up, and saying pure gibberish. The original song had gibberish, but it became more gibberishy when the reverse forward effect got applied.
to hear how my original voice would have sounded like, you can pitch the song down by 3 semitones. The original song was a song I made, experimental, with the same instruments as this one but in its normal pitch, with its normal voice. It's kinda cringe though because of the gibberish, way worse than this spliced loop I used for the song
I arranged 3 vocals over this loop. The originals, which you might hear after the ghostghostghost thing vocals and before the female vocals, you might hear them in the final chorus before the female vocals, and before the female vocals as well. these vocals are pure gibberish. The other 2 vocals come from suno
I uploaded the original loop with the reverse forwards effects applied. Got only 2 good ones. The one I made with the lyrics being only the word ghost repeated throughout the song (of which a sample was extracted to be brought to this song) and the other one, which talked of sweet things and pink and everything sugary, with a mysterious voice that the song brought up ((likely imitating the voice in the original loop) but not being capable enough to imitate it in the fullest, as I recognize my voice even pitched up and down
the original loop, I didn't have a multitrack for it so I had to extract the whole thing using open vino music separation, which works with demux under the hood, same happens with the vocals. I spent a couple minutes rearranging the loop and repeating it before putting the vocals in.
Without the vocals it is a repetitive, instrumental mess.
Enjoy this... thing. 😀
well, so here's another entry in the pareidolic series. Here we've got this strange speech. The thing is pure gibberish, but it sounds like 2 or more voices talking with each other. It sounds etallic due to the source audio fiel I used, I don't remember how it sounded like but I remember having taken advantage that deepFilterNet could hallucinate some voices on the spot or at least try to infer them, and it did, pretty muthis is why I love this stuff. I can make shit like thisk. So enjoy and feel free to use in your sound design
this is an experiment. As soon as I got the openvion AI plugins I decided to occasionally experiment generating "pareidolias" and whatnot. This is the result from one of them. It's pure chaos and not for everyone. In some parts it kinda sounds like someone's singing, cuz hallucinations, but... enjoy this, strange thing.
feel free to use it in your sound designing
greetings, everyone
bringing you a song that some people might have heard before and commented on how loud it was. Now I just apply limiter to the final mix after using amplify on it to decrease the volume
I love the colors in your eyes is a song whose genre I cannot exactly classify. Must be something in between trap and r&b. It has a bpm of 75, I believe, half of 150, so it msut be that. It is 3/4, with a key of e major.
for the sake of transparency, this is the first song I'll be uploading where I dispel doubts before they are soun
how were the vocals created?
the vocals were created from a file I downloaded from suno, which was the extension and continuation of a snippet, with the prompt of "I love" and I don't exactly remember what else I put on it. Back then the classic lyrics model was used. Upon having that take, the original didn't exactly sound so well when split by demux, because that's what I use, mostly with openVino music separation, with the separate instrumentals and vocals.
But upon remastering to v4 (that was the first song I got to remaster with the complementary remaster) I had the song's continuation remastered. Taking that one, splitting it with demux to 2 tracks, removing the first track and arranging the second one, the vocals, into the main track I created. To those who've listened to "I love you" might have heard the original track, but the instrumental of this song has changed a little. I arranged those vocals to fit into the song, omitting some parts and only leaving the ones that were compatible with the song's structure, put a bit of reverb and equalized it after, then that wa mixed. Well, to be uploaded to audiopub, because the actual mix is not a mix but a multitrack one, kept inside a folder with the song's title with each track exported as .ogg
the track contains a sine bass, drums, layers of plucks including one that serves as the main chords, sawtooth pad and a sawtooth synth, as usual. I'm doing what needs to be done with my own resources.
If I' using the same instruments in every song, it's because I don't have other choices, or I'd need to install more than 5gb with all the soundsfonts I'd be downloading, plus reaper, and I don't have an USB hub in my keyboard for connecting a midi keyboard. With lmstudio and audacity having a lot of space, it's pretty much unlikely I'll waste my time installling more things that I don't really need when what I have works for me
tldr: vocals from suno's continued versiono of the 60 second snippet of the original track, whose vocals were extracted with demux, arranged and processed, then mixed with the song
teh lyrics were generated by suno (with a bit of prompting) and arranged by me
inspired by suno's continuation, I've changed a part of the instrumental. Instead of those synths and sawtooth at the beginning, there's only the chord pluck, drums and bass. This was to fit the vocal in as well.
enjoy the song.
lyrics
Verse1
I love the way you smile so bright
Under city lights it feels so right
Dancing shadows on the moonlit road
Every step a story yet untold
I love the way you laugh out loud
Chasing dreams above the crowd
Whispered secrets in the chilly night
Stars above they shine so bright
Chorus
I love the colors in your eyes
Like a painting of the skies
Every second feels like gold
In your arms I'm never cold
Verse 2
I love the way you sing with glee
Every note a melody
Holding hands beneath the sun
Two hearts beating just as one
chorus2
I love the way you sing with glee
Every note a melody
Holding hands beneath the sun
Two hearts beating just as one
Chorus
I love the colors in your eyes
Like a painting of the skies
Every second feels like gold
In your arms I'm never cold
final chorus
Chorus
I love the colors in your eyes
Like a painting of the skies
Every second feels like gold
In your arms I'm never cold
some of you who've listened to the first thing I uploaded to audiopub on here might know what I'm willing to announce. I've gotten vocals for it, arranged them, and here it is. The song, now with vocals
title: high school festival (AKA. A beat I literally created on audacity)
bpm: 100
with that out of the way, I hope y'all enjoy
as with flexin' that vibe, I also reduced the volume in this one applying a limiter after
1male vocal: raps and sings in the verses and pre chorus
1 female vocal: sings in the choruses and bridge
1 male vocal: baking vocal provided by me, one octave lower than the female vocal, singing the same chorus (except in genre change, whose exception only includes the final chorus)
instruments: bass, drums, sampled guitar, chorused pluck, low harsh pluck, piano, sawtooth synth doing chords, sawtooth synth doing a similar melody to the chorused pluck
the lyrics look horrible in paper, but perhaps when listened to it isn't all that bad. Tis is the first song to which I added vocals to. And yes, the lyrics is lacluster, same with the vocals, but this was my first time adding them.
lyrics
intro
Football field lights casting us in gold
Friendships like diamonds stories untold
Sneakers scuff the pavement heroes bold
In the halls where young hearts unfold
Football field lights casting us in gold
Friendships like diamonds stories untold
Sneakers scuff the pavement heroes bold
In the halls where young hearts unfold
verse1
Chillin' with my friends in the schoolyard light
Feeling so free under the stars so bright
Hands in the air as we break through the night
Dancing side to side making memories right
Laughter in the breeze like a melody sung
Every step we take forever young
We own this night with the songs unsung
Come on everybody let’s have some fun
Cotton candy clouds and Ferris wheels
Life’s a carnival that’s how it feels
Smiles and cheers glittering in reels
Friendship forever it's our biggest deal
Dreams and hopes wrapped in festival sounds
Lost in the music on this sacred ground
Echoes of laughter all around
Holding on tight to what we’ve found
pre chorus
Come together under the dazzling Come together under the dazzling sky
No rules tonight only good vibes fly
High school days let them never pass by
Let's make it fair in our own paradise
chorus
Celebrate the moments, hands in the air
Dance like nobody's watching, no single care
Laughter echoes, climbing the stair
High school festival memories we'll share
Football field lights, casting us in gold
Friendships like diamonds, stories untold
Sneakers scuff the pavement, heroes bold
In the halls where young hearts unfold
Celebrate the moments, hands in the air
Dance like nobody's watching, no single care
Laughter echoes, climbing the stair
High school festival memories we'll share
verse2
Dreams and hopes wrapped in festival sounds
Lost in the music on this sacred ground
Echoes of laughter all around
Holding on tight to what we’ve found
Dreams and hopes wrapped in festival sounds
Lost in the music on this sacred ground
Echoes of laughter all around
Holding on tight to what we’ve found
pre chorus
Come together under the dazzling Come together under the dazzling sky
No rules tonight only good vibes fly
High school days let them never pass by
Let's make it fair in our own paradise
Come together under the dazzling Come together under the dazzling sky
No rules tonight only good vibes fly
High school days let them never pass by
Let's make it fair in our own paradise
chorus
Celebrate the moments, hands in the air
Dance like nobody's watching, no single care
Laughter echoes, climbing the stair
High school festival memories we'll share
Football field lights casting us in gold
Friendships like diamonds, stories untold
Sneakers scuff the pavement, heroes bold
In the halls where young hearts unfold
Celebrate the moments, hands in the air
Dance like nobody's watching, no single care
Laughter echoes, climbing the stair
High school festival memories we'll share
bridge
Cafeteria’s buzzing fluorescent light glow
Posters falling tilted stars in a row
Laughing voices, silly jokes that we know
Friday night magic, see our spirits grow
final chorus
Football field lights casting us in gold
Friendships like diamonds, stories untold
Sneakers scuff the pavement, heroes bold
In the halls where young hearts unfold
Celebrate the moments, hands in the air
Dance like nobody's watching, no single care
Laughter echoes, climbing the stair
High school festival, memories we'll share
Cafeteria’s buzzing,, hands in the air
Dance like nobody's watching, no single care
Laughter echoes, climbing the stair
High school festival, memories we'll share
Greetings!
Well, I come here with a song I made named flexin' and vivin'. I didn't have any other title; those were the vibes the beat gave me when it was complete. One of its melodies, namely the one in the chorus and first verse, is inspired by a melody I invented on a kalimba.
It's a sort of hybrid between experimental electronic cumbia and trap. Finding the drums for the song wasn't exactly easy, yet it paid well in the end.
I used a metronome at 250 BPM with a swing of 70 and time signature of 3-4 or tiple that amount and half the amount for bpm if we're getting into that. Apparently LLaMA told me that 12.8 is commonly found in cumbia.
If you haven't heard cumbia before, perhaps this might be your first taste of it. Do note though, the swinging beat can be a bit of an acquired taste for some, so take it easy. If you don't like it, feel free to skip it and move on. It has a piano, 2 sawtooth-based synthesizers, pluck, classic sine bass, drums of which include a clap, kick, some sort of shaker, and dubstep-like high hats or something similar.
There are three vocals in the song: two female vocals and one male vocal with what seems to be harmonies.
I used a limiter this time after amplifying it the final mix to -12b or s and use a limiter, I don't exactly remember.
hope y'all enjoy.
lyrics
intro
No regrets no end in sight
Party vibes yeah feelin' right
Bass bumpin', bodies jumpin’
Feelin' lit ain’t no slumpin’
Cold drinks doors wide open
Livin' life ain't no hopin'
verse1
DJ’s spinnin’ tracks we love
Fist pumpin’ like a glove
Dancin’ like we’re sent from above
In this world we’re free as a dove
pre chorus
DJ’s spinnin’ tracks we love
Fist pumpin’ like a glove
Dancin’ like we’re sent from above
In this world we’re free as a dove
Chorus
We jokin’ smokin’ takin’ it high
Living loud we touch the sky
Unstoppable like rockets we fly
Party hard till the morning light
verse2
Rollin' deep the squad's fresh so sleek
Wrist on froze diamonds dance they speak
Stacks in pockets crispy no crease
Every move sharper than a beast
Night lit up city glow in the air
Bottles poppin' we ain't got a care
Lights flashin' drippin' in that flare
Sky's the limit high enough to dare
Flexin' vibes party hard we shine
Livin' large full send ain't no rewind
Crowd jumpin' beats bumpin' so divine
We own the night our moment our line
pre chorus2
DJ’s spinnin’ tracks we love
Fist pumpin’ like a glove
Dancin’ like we’re sent from above
In this world we’re free as a dove
Chorus2
We jokin’ smokin’ takin’ it high
Living loud we touch the sky
Unstoppable like rockets we fly
Party hard till the morning light
We jokin’ smokin’ takin’ it high
Living loud we touch the sky
Unstoppable like rockets we fly
Party hard till the morning light
bridge
Flexin' hard we breakin’ rules tonight
City lights they'll guide our flight
final chorus
We jokin’ smokin’ takin’ it high
Living loud we touch the sky
Unstoppable like rockets we fly
Party hard till the morning light
I come at you all with a beat that's gonna "shake the house" nah just joking.
this is a beat I made and I'm uploading it to the oh so wonderful audiopub for everyone to listen to, if they want, of course.
It's an experimental song made with audacity, and unlike one crappy synth melody I posted to the audio games forum one day this hasa got it full fledged with choruses, verses and so on. It's instrumental, with synths, some drums with the chorus having the drums I used in some experimental songs I've created that I might be uploading later, there's a guitar, and some plucks I've processed like the chorused pluck, the bass of course and 2 square synths. Enjoy
you can make derivatives of it if you wish