back in the early 21st century I used this particular remix to torment the prisoners I was to take care with, to take information out of them as I was asked by an obscure program.
Eventually they got so tired of it they told me anything they could for me to stop that music from ever being repeated again because it was too unbearable for them. Soon I figured out that everything they were saying, they were just saying it so that they could get out of the torture that I put them through. And if you're curious enough to know, yes, I stopped that music from ever being played again and put it far, far away.
with that out of the way, I present you a cheap remix with the instrumental of a previous song you might have heard before, chopped enhanced vocals from it, and espeak singing one of the most nonsensical and grammatically incorrect chorus I've been able to pull so far. Said chorus has no purpose but to be an ornament, a decoration to add a bit of melody.
instruments[: bass, drums, guitar, piano, synth, a collage of vocals, a vocal sample, and robotic vocals from espeak to accompany the chorus
feel free to skyp or listen.
thank you
I made it, as far as I remember, with 2 intersecting wsawtooth chips. One whent higher in pitch while the other got lower. The others intercept at one point and keep moving. I put reverb over it, used open vino noise reduction with deepFilter Net2 as far as I remember, a few times, limited it, did some EQ changes, and here's the result
at one point it sounds like it says "you're a criminal"
another point it seems to say irrational as well, and after that "I forgot what to say" or something like that, and before that, some bwah, bwah
because of this the audio starts with a deeper voice and it gradually transitions into a higher voice until it reaches the tones of a typical female voice, goes up to a bit of silence because I had to EQ the heck of that part because too much 1khz or something like that, and then it transitions back to typical female voice, then goes down to typical male voice
enjoy or skyp, your call.
thank you.
remember the final remix from extension1? if you are fortunate enough to have gotten your hands into that pack, I'll let you know that the song used in said final remix was made by Goldried Quintett and its name is Musik geht um die Welt
well, I had an idea. What about taking one of the most appearing songs that I've seen to date from Quintett and make a rhythm rage custom edit remix from it.
So here is the result
enjoy or skyp. 😀
There's a part of the lyrics in the chorus resembling rick astley's never gonna give you up. The robotic vocal at teh start warns that you might encounter it. It's specifically in the chorus and I could have chosen something better, but I decided to go with this because I was short on rhymes.
the very few listeners who have listened to kalimrek might recognize the instrumental of this song. Except it has had quite a few changes. first, teh bass and teh drums have changed. Second, the sawtooth synth with vibrato and stuff like that is way lower in volume, and the pad is now sidechained (ducked)
the lyrics of teh song might be potentially divisive or controversial, even a debate at most.
To be short, basically the story follows a former couple that became casual friends after recovering from a mutual amicable breakup between them, and then the young man starts dating her best friend, annabelle.
note: the lyrics have scene descriptions because I had the streak at that moment, and decided. This is too dull. Let's just imagine some scene descriptions and add them in, so that people can imagine how the music video might be like (for those interested in how would it look like)
as with any of my songs you can do whatever you want with them, provided you change them so as not to be duplicates when uploaded.
all the scene descriptions for each verse and part of teh song are in teh comments if anyone's curious. I'm providing the lyrics here as descriptions have a character limit.
might have cringey wording
[intro]
and I see,
and I see you in the bench we used.
For those moments,
for those moments were the best that we've ever had.
[verse1]
I see you have a new girl,
don't worry, I'm not jealous at all,
cuz I've moved on from you,
no grudges, no vudges no emotional downfall.
[pre chorus]
found my bestie was dating you,
I just told her, go for it!
I tell you she really likes blue,
don't disappoint her, at least spoil her a little bit.
[chorus]
and I see,
and I see you in the bench we used.
For those moments,
for those moments were the best that we've ever had.
treat her well, never make her cry.
treat her well, never make her lie.
treat her well
you'll get treated well,
if she ever oversteps do tell.
and he messages me.
[verse2]
don't worry, I will treat her well.
I learned from my previous mistakes.
I've fallen in love with annabelle.
and I will hug her when she wakes.
perhaps I might have found the one,
but I don't know, as I prefer no certainty.
If she ever prefers to be with you.
[chorus]
and I see,
and I see you in the bench we used.
For those moments,
for those moments were the best that we've ever had.
treat her well, never make her cry.
treat her well, never make her lie.
treat her well, you'll get treated well,
if she ever oversteps do tell.
[bridge]
[final chorus]
and I see,
and I see you in the bench we used.
For those moments,
for those moments were the best that we've ever had.
treat her well, never make her cry.
treat her well, never make her lie.
treat her well
you'll get treated well,
if she ever oversteps do tell.
and he messages me.
retro world has some files for some sort of military march level. I could have installed bgt and compiled the original with creator or whatever it's called, but I decided not to cuz Ijust wanted the sounds, and I won't wait 5 hours to download it another time.
So here's an attempt at me guessing what to do with each sound.
there are 4 or so actions
march: space
move left and move right, left and right arrows
halt, enter
and this one where it says attention in ja slow mode you change beat, space bar as well
that's how I kinda imagine it.
Enjoy, or not. Mwahahaha
the music used here belongs to the original creators
bpm: around 83 (166) 6/8 time signature approx, key of c minor
instruments: bass, drums, synthetic guitar, synth keys, a synth with a wa wa at the beginning and a strings synth. Oh, and a lead synth
made in: reaper, 2022, refined in audacity as a whole in 2025 to remove any perceived mistakes made in production at the time. At the time, I made music in reaper I didn't have a midi keyboard, so I did with what i had at the moment.
Basically harming the track and recording each instrument, didn't do any edits back then, not even in audacity (amusement heaven was an exception) as the original drum track was too flawed for its own good. So I copied the best parts of each drum section and did what needed to be done, same with the bass and lead synth. In 2025, I refined every other part of the song
Thanks to my brother, who helped recover the laptop I used to use before my school laptop, I can upload this to audiopub. These songs would have been lost forever if it weren't for him fixing the battery which, apparently, was the culprit, as well as give it a new charger.
hope you enjoy.
without the vocals made much later this is literally the first song I made in audacity. The first song I uploaded to audiopub was not the first song I made, in fact. Without the vocals because the vocals on it don't sound right.
bpm: 100
key: switches between c minor and g minor
the genre is the same as the solundra2 one, has similar instruments; plucks, the signature drums and bass from solundra 2, and the polyrhythms similarly as solundra2
trivia: one of the samples, particularly one of the plucks in the chorus, was also reused and sampled in high school festival. the bass in that song was also sampled from solundra originally, as they had a similar melody, except that high school festival's melody was higher in pitch and longer
bonus trivia, for solundra2: one of solundra2's drum loops was used in high school festival as well. Both solundra and solundra2 use similar-sounding drums, plucks and synthesizers, namely the sawtooth ones
instrumental made with
sitar (ladspa plugin, found in a plugin suite, as far as I know no longer works in 64bit builds, but I managed to make a few more samples of it, combined with ambience to form the drums)
risset drum or sin drum, sin rum was also a ladspa plugin, but I don't know whether I used sin drum or risset drum to make the bass drum of this thing
pwm (for synthesizers)
pluck, normal one, used for the plucks. The ones in stereo were done by dividing a track into stereo (usually your 2 tracks will be all selected) then one goes into generate menu, pluck, then pressing enter on that one chooses a note, pressing enter, and you have your own stereo pluck
tuning fork. Tuning fork was used for the bass, distorted a lot of times to make the signature bass sound
for making music efficiently, one of the secrets is having shortcuts mapped out to the "instruments" namely, the pluck, the pwm, the tuning fork, and so forth, but you must have samples in hand. guitar samples, drums, some others as you see fit. Pianos, whatever you desire.
and of course, the classic metronome track you must have at all times as the first track.
to esumee things, making music on it is like audio editing, except you have to go slowly about it and decide pitches, bpm, melodies and whatnot.
It sounds a bit awful because the drums were exported to ogg multiple times because I commonly don't use wav, as I don't have a computer with enough space, and it was maltreated over the months with lots of compression, llimiter, compression, limiter, EQ, and repeat, so there's that. Those were my early mistakes of making music with audacity
enjoy, or skyp, as you see fit.
greetings. Bringing another song, just the instrumental for now as I don't have vocals yet.
just 4 instruments this time, very minimalist. Bass, drums, guitar and piano. For the guitar's modulated reverb I had oril river put into it.
perhaps it might be some sort of rap or pop or hip hop, but I don't know how to classify it, so there's that. The song is about 75bpm
don't know why I named it doomsday, names just come at me like that sometimes.
Hope you enjoy.
greetings. Now I bring the source for this whole thing. Precisely the source of the pareidolic speech which sounds a bit like eSpeak if it was a human without that deepFilter thing. Her'es how it sounded before the denoising. Good thing I keep both files separate from each other, else I'd lose this and I honestly like it a lot so nope. It's basically eSpeak vocoded through a white noise which was processed through mda tracker with glide at 100, sine wave, stereo, then put into ambience, the "cave" ambience itself, then vocoded into some nonsensical marcov chain thing I put through eSpeak.
enjoy, and if it's not your thing, move on. Have a great day
greetings. Here we got a... I don't know... I guess it's a sort of pareidolia, except I do know how I created it. This would only work in 32bit versions f audacity, so I can't do more of them anymore but have another one of theese. Basically I otok an MDA tracker'd white noise, put the result through ambience's reverb, then I vocoded it o a nonsensical sample I made with eSpeak and finally used a few times openVino noise reduction, in this case deepFilterNet2, with some limiters and equalizers.
the result is... Sometimes it sounds like eSpeak as if it was a human, at least sometimes.
enjoy the madness. And you can leave a few laugh-worthy comments about how it sounds like to you. Feel free to skyp if this is not your thing, and have a great day.
greetings. Here I bring another song.
this song is basically the origin of the ghostghost one. In the days of tap reflector, I otok that ladspa plugin and lved to put my songs in reverse forward effect and listen to them like that. This is why one day I figured out it sounded good when I put a certain part of the song in reverse forward effect. That got pitched up. And now, I bring you the original
it's an experimental song. It has a bass, drums, 3 plucks with one deep one on the chorus (the melody was taken from an audio I made way back that for now I don't have cuz I removed it cuz it made too much space) and there are 2 synths, and a sample from the IPHone twinkle ringtone, which I figured out... Why not. It fits well, and my vocals
vocals
the vocals entirely created by me. Homemade, in my own room, with a headset. I put reverb and keroVee over them, but only a bit of keroVee. Reverb and delay i put
oh and i forgot... The extracted aI vocal. Well, that one was extracted from the bass. I decided to one day upload the thing to a vocal removing site which used demux for splitting, and upon extracting and saving the things, I was met with this bass whic had residue from the original song. Once I extracted the reidue I was met with the interesting texture it had, so to say, because it was like the AI had listened differently to the song.
that got put into the song as well.
enjoy, skyp, do what you do.
what I'm singing is pure nonsense, but according to me I'm saying the following, at least in large part. I had to listen to the song a lot of times to get all that lyrics imagined
intro
that is how a wind inside ya
give ya some peace, but sept that
is that so, except that?
there's a soul, I said to
there is a place in your
there is a place in your
tears are gone
stop playing no they are gone
that day oh
verse1
on my then vinge home
the best amour rushing to you
lead me through so you have time when mourning
let me soar te sky a good morning
pre-chorus
to my lila
fighting a mourning
know that year when under the sun,
enamoured of you so,
I married a soul.
All in all I'm telling I'm sorry.
chorus
that is how a wind inside ya
give ya some peace, but sept that
is that so, except that?
there's a soul, I said to
there is a place in your
there is a place in your
tears are gone
stop playing no they are gone
that day oh
verse2
you're in my song though there're maany of these
hole in my heart,
in my soul,
in my heart.
pre-chorus
to my lila
fighting a mourning
know that year when under the sun,
enamoured of you so,
I married a soul.
All in all I'm telling I'm sorry.
chorus
that is how a wind inside ya
give ya some peace, but sept that
is that so, except that?
there's a soul, I said to
there is a place in your
there is a place in your
tears are gone
stop playing no they are gone
that day oh
bridge
no machine knows how to love,
no machine knows how to lead,
I'll change my life,
then start in a new,
to see me love,
though darlin, I need you
final chorus
that is how a wind inside ya
give ya some peace, but sept that
is that so, except that?
there's a soul, I said to
there is a place in your
there is a place in your
tears are gone
stop playing no they are gone
that day oh
well, so here's another entry in the pareidolic series. Here we've got this strange speech. The thing is pure gibberish, but it sounds like 2 or more voices talking with each other. It sounds etallic due to the source audio fiel I used, I don't remember how it sounded like but I remember having taken advantage that deepFilterNet could hallucinate some voices on the spot or at least try to infer them, and it did, pretty muthis is why I love this stuff. I can make shit like thisk. So enjoy and feel free to use in your sound design
this is an experiment. As soon as I got the openvion AI plugins I decided to occasionally experiment generating "pareidolias" and whatnot. This is the result from one of them. It's pure chaos and not for everyone. In some parts it kinda sounds like someone's singing, cuz hallucinations, but... enjoy this, strange thing.
feel free to use it in your sound designing
I come at you all with a beat that's gonna "shake the house" nah just joking.
this is a beat I made and I'm uploading it to the oh so wonderful audiopub for everyone to listen to, if they want, of course.
It's an experimental song made with audacity, and unlike one crappy synth melody I posted to the audio games forum one day this hasa got it full fledged with choruses, verses and so on. It's instrumental, with synths, some drums with the chorus having the drums I used in some experimental songs I've created that I might be uploading later, there's a guitar, and some plucks I've processed like the chorused pluck, the bass of course and 2 square synths. Enjoy
you can make derivatives of it if you wish